Launch of Mother Earth by Libby Hathorn by Colleen Keating

 

 

 

        

Libby Hathorn’s exquisite new poetry book, Mother Earth is launched by Colleen Keating.

A celebration  to launch Libby’s wonderful new poetry collection was most appropriate in Poetry week. It was my honour to hold the book high and declare it launched at the Society of Women Writers Launch at the State Library, Wednesday Meeting July 12th 2023.

It is  a great honour and such a privilege to hold up for you this new book  by the award -winning children’s writer, Libby Hathorn and perceptive illustrator, Christina Booth . A new poetry book called Mother Earth.  For me a stunning title having written the story of the mystic Hildegard of Bingen who said in the 12th century 

“The earth is our mother. We must look after her. Without her air, her water, soil and light we have no life.”  Down the centuries it is something that is too easily and conveniently forgotten. And now for our children we are gifted with this book set here in Australia. 

I believe one of the greatest gifts we can hand on to our children and grandchildren is an awareness of nature, encouraging a   sense of awe and wonder.  In this book Libby makes the children  aware of their senses in cities and in the bush,  all around in gardens, parks, by rivers and beach . Then they will be curious, life-long learners and  have resilience for the dark times  of loss and grief for  nature  is our teacher and mother earth will show them the way. 

Listen and enjoy  the playful poem The Wonder Thing  with its refrain to keep us guessing.  (I read the poem here)  But it doesn’t end there . The reader is teased even further with the answer RETAW.  

It took a few seconds for the answer from the audience WATER.

Libby in your poetry you give us this wonder and Christina’s illustrations are palpable.  Congratulations. 

Two last things . . .

 Firstly I like how the young reader is called forth and challenged.  they are not written down to.  Libby includes words and ideas  to extend the young reader.   

And  secondly

These poems do not shy away from exposing our young readers to the fragility of nature and the responsibility of humans to care for it. Poems on pollution, dread of cane toads , loss of habitat are not denied. The importance of conservation, sustainability, the presence of Aboriginal spirit, interconnectedness of all living things. A poem called Bushfire Baby  about our little koalas in the drought and fires , a poem  Rainforest Song, on the consequences of culling forests I’ll read  just a stanza, 

“Don’t fell the tree’

that stood so long

leave bird and bush 

where they belong. 

and the drawing of the bewildered bird on the stump of the tree  looking for its its home that has gone.  

And in  the poem Garden Australia  we imagine being a drone, 

hovering over our landscapes  ,  I’ll read just a stanza

“Plains, ridges, and valleys,

Woodlands and grassland,

Sedgelands and swamplands,

Forests and marshlands, 

. . .

what do we do with treasures so rare?

Protect them, and love them, and then we can share.

In the eponymous poem, Mother Earth  the poem calls for our stewardship . The refrain reads, 

“ Things of beauty, things of shame

through the cities, in the flame

lets dream of what we can become

Mother earth I am your son,

Food and shelter, climate , water 

Mother earth, I am your daughter. 

Libby’s new book, Mother Earth is timely, informative, playful eg keeps you awake sometimes you have to turn the book upside down to read, it is hopeful, reflective, eg the last poem wants me to go and find an old photo, our first glimpse of the earth from space in 1969 and show our grandchildren that glimpse of the tiny blue dot that is our home. 

“Astronauts  saw you 

from space and so far

so blue and so fragile  

and loved what you are.!

With each turn of the page, Libby invites us all to embrace our role as custodians of the Earth and to cherish the precious gift of nature.

So it is great joy here at SWW,  I declare  Mother Earth by Libby Hathorn launched. 

 

The Dinner Party: A poetic response by Colleen Keating , Authors Talk at SWW

Very proudly I spoke at the NSW Society of Women Writers Monthly Meeting  at the State Library to introduce my new poetry book The Dinner Party: A poetic Response, which  responds to the 39 women claimed as part of a project to Restore Women to History by  American artist Judy Chicago in her installation The Dinner party. A collection on the poetry of women!
I felt I was honouring the thousands of women on whose shoulders, we as woman today stand.  Only 39 could  be at the dinner table but not forgetting the many who went before them to make our lives as we have them today with the names of another 999 women’s names written on the white tiles below the table.

Not forgetting there is still much to be done  as I hear the news this morning  that another woman died at the hands of a man she knew . I think it is 4 this week so far and it gets a brief mention. My poem Counting Dead Women  written a few years ago is sadly still relevant today.

 

RESTORING WOMEN TO HISTORY.  My talk to introduce my new poetry book The Dinner Party: A poetic Response at the Society of Women Writers, NSW State library,   July Meeting  in Poetry Week

Ah we have gathered . .  like Sappho the poet once said,

“The moon appeared in all her fullness and so the women took their place around the altar” 

We could say,

The second Wednesday of the month came around and so we woman gathered to listen and tell our stories.

It is good to be with you today in Poetry week and to share with you a little about my new poetry book.  The Dinner Party: a poetic response.

I came across the idea for the book while I was researching for my Hildegard book back in 2015 and I found reference to Hildegard in this amazing artistic installation by Judy Chicago which is a 1978 landmark permanent installation in the Brooklyn Museum in New York . . . an imaginary dinner party of women down the ages who had been ignored, denigrated, harmed, silenced or erased from history and I thought one day I would like to know more about its history..  It was about RESTORING WOMEN TO HISTORY.

Most of the women  at this dinner party, i had not even heard of.    Each woman was chosen, for  how  in their own way  they had helped the  rewriting of history and upending the dominance that men have held over so much of our culture.  I was proud to see Hildegard there for those of you who have read my book Hildegard of Bingen you know the monks  forbad her to speak out or to write  or preach. And  what a woman she proved to be  in her 82 years writing books, music, poetry then silenced again for nearly 800years by the Church and now restored she speaks with great relevancy for us today in 2023 . . .  844 years, after her death . It just shows a good woman cannot be silenced forever. 

Even in death the women in this book can still be heard. 

Hence  my effort,  my research  in 2021-2022, for this book The Dinner Party which brings to light many women long lost from history and on whose shoulders we stand. 

Women all first  in their fields , art, music, medicine, writing, astronomy,  philosophy even warriors like Boadicia,  the many women  throughout history who  broke down barriers,  opened doors, knocked down walls,  smashed glass ceilings, were  suffragettes,  jailed,  murdered, midwives burnt at the stake for their feminine ways. The journey of women is for all of us.

I would like it to be a book known  for reclaiming  women’s history. I’m hoping you see it as an interesting gift for your daughters,  and our granddaughters to know some of the struggles of women in the past.  There is a saying “we need to know our past to inform our  present,  to live vibrantly into the future.  And books like The Dinner Party  and many others today can help with this.   

Just a few notes about the exhibition which my poetry brings to life . . .It is a very formidable exhibition. It was 5 years in the making (1974 -1979) and the product of a volunteer labour of more than 400 women, and is a testament to the power of feminist vision and artistic collaboration.

As you see here  it is a triangular banquet table each side of 15 metres  has place settings for 39 women  ….  women down the ages of the 3,000 years of Western History.  13 women  from Mythical and Biblical times 13 women  from the 1st millennia  and 13 from the 2nd millennia   and below there are 999 triangular tiles  with the names of women who stood up in their time. If i was younger I would now be writing stories of strong women of  this 3rd millennia  but I do not feel the same imperative as today many women are writing from First nation women  many ethic groups of women and our work is no longer an anonymous story.    It is  ongoing . Hopefully these stories and poetry of women will continue to be told. 

Imagine getting off the lift on the fourth floor into an 8,300 square feet space. One walks  past  six woven tapestries, hang in procession and is led into a sacred, solemn encounter with the female form. They say it takes your breath away and is beyond words.  The purpose-built gallery commands a certain hushed reverence; its triangular, feminine form is echoed on the ceiling, the entrance, and in the delicate casts of shadow and light.  

Each woman commemorated at the table is designated a place setting. A china-painted plate with a signature motif based on butterfly, flower and vulva forms is placed on an embroidered runner, with their name and icons of their personal and historical story.  A gold ceramic chalice and utensils, a napkin with an embroidered edge. The textile,  the craft, needlework and ceramics  acknowledge the long and interwoven history of women’s accomplishments and success in restoring women’s heritage to our culture.  The place setting are just close-up of a few to show you the detail

Judith, from the bible. 
Sappho,  the poet who wrote the first love poetry in a time when only wars and heroic journeys were versed like The Illiad, The Odyssey. 
Susan B Anthony  who said women would not be taken seriously till they had the right to vote and she gave her life to it and sadly died before it came to fruition.  

But writing my poetry I liked to imagine arriving at a dinner party, the buzz of women from all over the western world and all down the ages, colourful fashions, cultures, languages and imagine the sizzle and aromas of foods and the swapping of recipes, ideas, hints and stories. Just think of the after-parties as each spreads the word to celebrate unsung women back in their places right up till now, for women still  today are having to put themselves on the line, call out treatment and celebrate their steps forward as they claim women’s rights as human rights.

like Aspasia,  a philosopher as clever as Aritotle and Plato but her salons of Greek women were denigrated as brothels, 
like Anne Hutchinson expelled  into the wilderness from the early church in Puritans times of early America, pregnant left to die because she insisted women have a voice at Church 
like Sacajawea who was captured to help Lewis &Clark open up americas west , without her they would’ve died and she was unpaid and ignored until the past few years of  research and recognition, 
like Hypatia  a neoplatonist scientist murdered  because the church felt threatened by her intellect,  
and Petronilla first Irish woman to be burned at the stake because she helped women with herbs in labour. 
and Christine de Pizan  a writer who was silenced , because  she was a dangerous woman  when she claimed   ‘The same race as men are women. It is a women’s  world too”
Susan B Anthony who fought all her life to get a vote for women  and died before it was realised,  

Be honoured to be included, and be humble that we are here  today , together, free, for we stand on the shoulders on those who have gone before.  Pause to remember  your mothers  – you might never fully know her struggles and your grandmothers as their lives were hard if they wanted to speak up, desire to  study, want freedoms, want property right to their children from their husband and  think of your great, great grandmother many then were illiterate    We are here now because of these woman.

In this  next slide you can see a close up of the tiles representing 999 other women down the path of history who worked in their time of history and their individual fields o be free

Margaret Sanger who was one  of the earliest warriors for the right to birth control for women saving “every woman can decide for themselves ‘ but what vigilance women still need for the fight for the right over her own body never ends  

Natalie Barney died 1876 -1972 “Destiny made us women at a time when the law of men is the only law that is recognised   

Judy Chicago’s wrote in 1978 words that still stun with its relevance today:

“Women have always made a significant contribution to the development of human civilisation, but have been  consistently ignored, denied, or trivialised.” 

Place setting of Artemisia  she once said “ I have the spirit go Caesar and the soul of a woman”

1.The needle work is exquisite. The illuminated letter “A” on Gentileschi’s runner is comprised of an artist’s paintbrush and palette, representing her life as an artist.

The plate is surrounded by rich and luscious velvet fabric, modelled on the costumes of Gentileschi’s female subjects. Chicago explains that this fabric nearly engulfs the plate, representing the safe, protective environment she came from.

Underneath the velvet there is fabric decorated in a repeating Baroque-style pomegranate motif, indicative of the time period in which Gentileschi painted. 

2. ceramics

The butterfly image of Gentileschi’s plate demonstrates  the dramatic play of light and dark  of the art periodThe “twisting and turning form” on the plate serves also to represent the “extraordinary efforts required of any women of [Gentileschi’s] time who desired to become an artist”.

And each one of the place setting is so historically detailed.

Now,  today,  this book is a poetic response to the journey of women. I like to think of each oneat the table,  just like us here gathering together, leaning into the conversation, nodding their affirmation as they celebrate their stories, their struggles and triumphs, and the moment of togetherness.   which we work to bring here now with us together . I like to think of The Dinner Party as a worthy read. To know of these 39 women and to realise the thousands of others from all our cultures.

I hope I encourage you to read it . . You can open it anywhere and read a poem about a woman who once lived and believed by her actions one day women will do much for each other and for the world. 

her. 

To me it is a precious book.  And it is only a window into a wider world of Restoring Women to History but an important window.

One last quote which is not aimed at us as we are privileged women but to so many women in Australia suffering DV and poverty

 women all around the world  in fear of war, slavery, hunger.  A quote from Arundhati Roy

Another world is not only possible, she is on her way. On a quiet day I can hear her breathing.

I feel this puts the responsibility onto us gifted women to continue the brave work at all times to make this happen .

And then thanks to my friend Pip Griffin who helped me unwind and celebrate by sharing a wonderful pavlova  and Champagne down by the harbour, relaxing watching the ferries come and go and listening to a Chilean musicain play a very melodic harmonising  hand drum .

Poetry from The Dinner Party in Women’s Ink by Colleen Keating

 

Society of Women Writers put out a call for writings on Women & War Cries. I quickly realised several of the women in my up and coming new book The Dinner Party would fit that theme and hence I am proud to have a centre fold  of poetry  including two poems Artemisia Gentileschi  1593-1652 and Boadicea 61 BCE. It was special to have the first notable promotion for my new book. ARTEMISIA GENTIILESCHI begins:

In her hands
the brush swept the canvas
azure blue, old gold, crimmson red . . .

Poems from The Dinner Party: by Colleen Keating. Her new book to be published in Autumn 2023 by Ginninderra Press (Herstory: A poetic response to a universal dinner party restoring women to history.

        

Society of Women Writers NSW and Poetry by Colleen Keating

The Society of Women Writers enjoyed a festive dayl face to face
(for the first time for months as the meetings have been held by zoom)
A fun workshop on humour in our writing.
Two great speakers  including poet and close friend Pip Griffin giving the authors talk as she told us of the three latest publications which I have spoken of before in more detail.

 

and then 5 poets
including me enterained the group.

Below is  the well known poet and Haikuist, Beverley George and I dressed ready ready for our performance
which was a poem about a catch up of two friends reminiscing about by gone days. It was written by Beverley a few years back and won a FAW award.  We generated  plenty of laughter what we needed today.

Below is a collage of our Christmas celebration. from the Society’s website.

 

 Two of my poems read  as part of the performance. 

taking wings

if ever there were a summer day so perfect

so romantic under its mild autumn sun

constantly making love to the trees and flowers 

that it made you wish to tear at your shackles

rip off your yoke

feel exposed to its sharp pinion

and to give yourself over to brash colour

without an iota of worry

a day that made you pack a sandwich

and with a bottle of water to set out 

to walk quiet ways catching the song 

of tiny birds brimming in wild blackberry brambles 

and for a moment feel your heart sing

with even a quaver of gratitude

well today is just that kind of day 

from Fire on Water  by Colleen Keating pg.107

 

Scriptorium

Maybe it is the light

that illuminates jars

of coloured minerals, powders. 

Maybe the smell of curing skin, 

or sharp tang of vinegar.

It could be the plaited basket 

of moss and flower, blue woad dye 

or sharp smell of ink 

pestled down from bald-oak.

Maybe the sight of scrolls 

rolled into alcoves 

or shelved parchments,

or the elaborate books of saints

behind the monk Volmar,

enshrined on the cumdach.

Perhaps it’s the copy of Ptolemy’s Astronomy,

or the manuscripts

Volmar points out,

from all over the Christian and Arab world. 

Maybe just crossing the threshold

when Hildegard steps through the door,

inhales the air

and feels immediately at home

in a world that sharpens curiosity.

Hildegard knows,

she has found her calling.

She wants to be a maker of books. 

from Hildegard of Bingen: A poetic journey

Just for fun this is a photo of Beverley and me . It was taken at our performance of the same poem at the retreat a few years back.

 

Looking for Olive. Member’s Talk at SWW on Olive Muriel Pink by Colleen Keating

THE SOCIETY OF WOMEN WRITERS NSW Inc.

LITERARY EVENT

WEDNESDAY 8TH SEPTEMBER 2021

I .00 PM–2.15 PM

ZOOM FOR TWO WONDERFUL SPEAKERS

MEMEBER SPEAKER – COLLEEN KEATING

Looking for Olive – the radical and idealistic life of Olive Muriel Pink

by Colleen Keating

 

Colleen, author of five poetry books  with Ginninderra Press and 5 poetry chap books  with Picaro Poets will talk about the inspiration, development and publication of her latest book,  A Poetic Journey with  an Australian women Olive Muriel Pink .  Colleen first became curious after visiting the Olive Pink Botanical Garden  in Alice Springs on a holiday and unable to find local information about Olive.  Back home she became immersed in the passions and struggles of Olive Pink’s story, a pioneer Australian woman of the first half of the 20th century.(1884-1975).  Here was a justice warrior, an advocate for the rights of the Indigenous people, a trained anthropologist, artist, gardener, botanist and curator.  And one whose song needs to be sang.  

 

KEYNOTE SPEAKER – JULIE JANSON

A woman writer’s journey – the restorative justice of writing Australian Indigenous themes

by Julie Janson

 

Keynote speaker – Julie Janson: A woman writer’s journey –  the restorative justice of writing Australian Indigenous themes

Julie is a Burruberongal woman of Darug nation, Hawkesbury River NSW. She grew up with an Aboriginal father and mother of English descent in Boronia Park, Sydney.
She is a teacher, artist, novelist, playwright and poet, and a recipient of the Oodgeroo Noonuccal Poetry Prize and the Judith Wright Poetry Prize.
Julie’s published novels are The Crocodile Hotel (Cyclops Press 2015), The Light Horse Ghost (Nibago 2018) and Benevolence (Magabala 2020). This latest novel will be published by Harper Collins in USA and UK 2021.
In a career as a playwright, Julie’s plays have been produced in Australia, Indonesia and USA:
  *  Two plays-Black Mary and Gunjies (Aboriginal Studies Press 1996)
Gunjies, nominated for an AWGIE
The Crocodile Hotel, nominated for Patrick White Award and Griffin Award
  *  Black Mary produced by Company B Belvoir St Theatre 1997
The Eyes of Marege, Sydney Opera House Studio, Adelaide Festival Centre 2007 and Makassar, Sulawesi
Julie was fortunate to present at the Adelaide Writers Festival 2021, Bendigo Writers Festival 2021 and Byron Bay Writers Festival.
She has also experienced Asialink Literature Residencies Indonesia 2000, 2003; Varuna residency; Tyrone Guthrie Writing Residency, Ireland 2006; Australia Council BR Whiting Residency Rome 2013; Listowel Ireland Writers Festival and Belfast Book Week 2016.

To book and pay:
$10 members, $15 non-members

Book via TryBooking: https://www.trybooking.com/BTSFK

or by direct debit:

The Society of Women Writers NSW Inc
BSB: 062 018
Account:  00950433
Code:  VM (for Keynote Speaker) or VMW (for Workshop)

Email Amanda Mark – Email Amanda –
with your name, receipt number and date of event

 

 

 

The Society of Women Writers NSW by Colleen Keating

Proud to be called Winner today

The Society of Women Writers NSW.

The stars of the Society’s Biennial Book Awards take a bow. The poet Collen Keating received the highest accolades with two wins for her 20 year journey writing the verse novel – ‘Hildegard of Bingen’ – Winner, Poetry, Society of Women Writers (NSW) Awards 2020; Winner, Non-fiction, Society of Women Writers (NSW) Awards 2020 – published by the boutique award winning literary publisher Ginninderra Pess https://www.ginninderrapress.com.au/

Society of Women Writers NSSociety W Inc

At the Society’s Biennial Book Awards, the poetry was judged by eminent poet, writer, reviewer, academic and critic Margaret Bradstock. The Poetry collections were outstanding with the 20 year journey writing ‘Hildegard of Bingen’ as the winner.
‘What an oeuvre! What a superb and elaborate work! These nine books of poems by Australian poet Colleen Keating tell Hildegard’s story in a stunning way. The reader feels put into the landscape and ambience of Hildegard’s medieval cloistered world. Thus I highly recommend reading, tasting and meditating on this poetic journey with Hildegard of Bingen.’ – Dr Annette Esser, Founder and President of the Scivias Institute for Art and Spirituality, Germany.
The shortlist was Pip Griffin’s ‘Margaret Caro’
Collen Keating’s ‘Desert Patterns’.
Tricia Dearborn’s ‘Autobiochemistry’.
What an outstanding list of poets!

5 Write Answers: Women’s Ink by Colleen Keating

 

 

To read my poetry out loud and listen carefully for meaning and rhythm.

When I am stuck, I record it and play it back to myself. I know there are modern methods to do this on our iPhones these days, but I still have an old portable tape recorder on the shelf above my desk which I read into and listen back, checking out the lyrical bent.

I get so much insight from this process.

 

Colleen Keating is an award winning Sydney-based poet. She has four books of poetry including her latest poetry book Hildegard of Bingen: A poetic journey, awarded the Silver Nautilus Award 2019 Better Books for a Better World USA.

www.colleenkeatingpoet.com.au

 

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Further dotting and mentions I am proud of in Women’s Ink  from  the Society of Women Writers in recent months.

Desert Patterns

Colleen Keating

Ginninderra Press, South Australia

When we listen, this land sings to us, holds us, nurtures us. This land is the common ground that we share. This small blue planet is the common world of our existence.
Desert Patterns is a collection of poetry that touches the membrane between two worlds with the breath of wildness and our inland journeys. In its striking imagery, we have a revelation of the significance of the land and of the burden of our Australian history.

‘Colleen’s poetic journey invokes the deep spirituality of our landscape.
She immerses us in “a multitude of gorgeous images” as we stand in Tunnel Creek remembering Jandamarra, marvel with Monet at Kakadu’s “blazing-blue lilies” and dream with cicadas:

“is it a place the gods keep/to seduce the lost like me?”
Every step of the way, Desert Patterns will entrance you.’ – Pip Griffin

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Mood indigo

Pip Griffin and Colleen Keating, shared poetry collection

Picaro Press an imprint of Ginninderra Press 2020

In days of uncertainty mood Indigo with its 24 succinct and lyrical poems gives the reader time to retreat to a pocket-sized poetry book with an inner covenant of peace.

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My Congratulation note read at the 95th Anniversary celebration of SWW

I felt honoured to be invited to put together a few words   for the 95th Anniversary of  the Society of Women Writers .

It is said,  You have to know the past, to understand the present, and to informs the future 

The milestone of our 95th Anniversary as a Society of Women Writers, is a good moment to pause, acknowledge where we have come from , to reflect on our present and be encouraged to walk forwards.

We are proud of our story  from when a small group of pioneer women journalists banded together – united, to support and encourage each other and we can only imagine  the journey to now from 1925 .

We are at an impasse with the pandemic that exacerbates the reduction in funding for the Arts. This enables us to appreciate even more the line of Presidents and the women who believed  in our Society and have kept the flame burning  through depressions, wars, vacillation of funding  and many internal struggles. Pressing forward is a woman’s way. 

We are proud to say we are about lifting each other up.  Writing is a lonesome vocation and fraught with internal demons. Meeting monthly for lunch in the State Library, the heart of Sydney’s writing and research world, with workshops, guest speakers and sharing with like minded people encourages us with new incentives on our writing  journey . 

Then our writing competitions, our Book Awards, our journal  Women’s Ink,  our retreats, the annual Abbie Clancy award for the  encouragement  of young writers, our annual  Di Yerbury residency in England award for a member, outreach promotion of writer festivals and functions to encourage writers. Seeing opportunities to promote our story eg working to bring Eleanor Darks oeuvre together, giving Dorothea  Mackellar’s grave, the status she deserved    we women always look forward to be the best.  

Our past Presidents  have  picked up the baton selflessly and guided the SWW thru many  stormy seas. and now with the vibrancy of  Jan Conway at the helm taking us into 2021 we are here today through the technology of zoom  in celebration.

 It is good to remind ourselves  we are standing on a mountain from  which we can say  we are standing on the shoulders of the women who have gone before thru all the struggles every decade, every  age, brings up. 

Let it be known proudly we mark this occasion on Zoom 

All i am saying here reminds me of the  words in Josh Gobans song, 

You raise me up, so I can stand on mountains
You raise me up to walk on stormy seas
I am strong when I am on your shoulders
You raise me up to more than I can be

In the years to come may our future members  look back, grateful for us here on our 95th anniversary in 2020. 

Colleen Keating, September 2020

 

 Some of the women of the Society on Retreat  in 2017

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Hi Colleen
I hope you’re getting the time to enjoy the beautiful spring weather. We are in the final stages of planning for the 95th and I’m looking forward to Wednesday’s ’birthday’ Zoom event.
Best wishes messages – from invited guests and members – will be read during the programme by an SWW member. Colleen, I’d be delighted if you are able to offer a few sentences (in text or poetry) about the Society. If you are happy to do so, I’d appreciate you letting me know. I would need the message to be received by the evening of Monday 14. Late notice I know – Sorry!
Cheers
Jan
Janette Conway
President
The Society of Women Writers NSW Inc.
Est.1925 Incorporated 1987
http://www.womenwritersnsw.org/
https://www.facebook.com/pages/The-Society-of-Women-Writers-NSW-Inc
Mobile: 0402 755 768

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Workshop: Finding the Poetic to make our Writing Shimmer

 

FROM WOMENS INK

IMG_5264

OCTOBER WORKSHOP   

Finding the Poetic to make your writing shimmer

COLLEEN KEATING

Lots of inspired sharing and laughter filled the room as a passionate group of writers 

explored ways of using the poetic to make their writing shimmer.

One of our learnings was that when our writing is lucid and perceptive it shines with meaning, something all of us wish for our work. 

Together we reflected on the power of awareness, bringing us always back to the present moment. We discussed how our mind is being colonised all the time and came up with constructive ways of decolonising our mind to become listeners to the breath of the universe.

We looked at the maxim:  Lessons from a Tree  

1. Stand tall and strong  2. Go out on a limb. 3.  Remember your roots

4.  Drink plenty of water  5. Be content with your natural beauty 6. Enjoy the view.

Together we collaborated to listen and hear the advice from the tree for our writing.

Our exercise on Active Seeing brought our room in the State Library alive with new insights to energise writing.

We listened to the words of poets for their poetic sense that shines the light. Mary Oliver ’s poetry, the exquisite metaphorical writing of Edna St. Vincent Millay and Emily Dickinson , the sustained metaphor in ‘Surender’ by the Blue Mountains poet Vanessa Kirkpatrick, the felt sound in Robert Frost and Adrienne Rich with her powerful poem ‘Diving into the Wreck,’

in which we mused over her words, “I want  the wreck itself not the story of the wreck,  the thing itself and not the myth.’

We  talked about a writer always cultivating a sense of wonder, as Alice says in Alice in Wonderland “curiouser and curiouser!”  We discussed the magic of language and closed with a writing exercise To create fresh metaphors. Our sharing had us marvelling at how metaphors strike unexpectedly and how they work to help our writing shimmer .