The Dinner Party: A poetic response by Colleen Keating , Authors Talk at SWW

Very proudly I spoke at the NSW Society of Women Writers Monthly Meeting  at the State Library to introduce my new poetry book The Dinner Party: A poetic Response, which  responds to the 39 women claimed as part of a project to Restore Women to History by  American artist Judy Chicago in her installation The Dinner party. A collection on the poetry of women!
I felt I was honouring the thousands of women on whose shoulders, we as woman today stand.  Only 39 could  be at the dinner table but not forgetting the many who went before them to make our lives as we have them today with the names of another 999 women’s names written on the white tiles below the table.

Not forgetting there is still much to be done  as I hear the news this morning  that another woman died at the hands of a man she knew . I think it is 4 this week so far and it gets a brief mention. My poem Counting Dead Women  written a few years ago is sadly still relevant today.

 

RESTORING WOMEN TO HISTORY.  My talk to introduce my new poetry book The Dinner Party: A poetic Response at the Society of Women Writers, NSW State library,   July Meeting  in Poetry Week

Ah we have gathered . .  like Sappho the poet once said,

“The moon appeared in all her fullness and so the women took their place around the altar” 

We could say,

The second Wednesday of the month came around and so we woman gathered to listen and tell our stories.

It is good to be with you today in Poetry week and to share with you a little about my new poetry book.  The Dinner Party: a poetic response.

I came across the idea for the book while I was researching for my Hildegard book back in 2015 and I found reference to Hildegard in this amazing artistic installation by Judy Chicago which is a 1978 landmark permanent installation in the Brooklyn Museum in New York . . . an imaginary dinner party of women down the ages who had been ignored, denigrated, harmed, silenced or erased from history and I thought one day I would like to know more about its history..  It was about RESTORING WOMEN TO HISTORY.

Most of the women  at this dinner party, i had not even heard of.    Each woman was chosen, for  how  in their own way  they had helped the  rewriting of history and upending the dominance that men have held over so much of our culture.  I was proud to see Hildegard there for those of you who have read my book Hildegard of Bingen you know the monks  forbad her to speak out or to write  or preach. And  what a woman she proved to be  in her 82 years writing books, music, poetry then silenced again for nearly 800years by the Church and now restored she speaks with great relevancy for us today in 2023 . . .  844 years, after her death . It just shows a good woman cannot be silenced forever. 

Even in death the women in this book can still be heard. 

Hence  my effort,  my research  in 2021-2022, for this book The Dinner Party which brings to light many women long lost from history and on whose shoulders we stand. 

Women all first  in their fields , art, music, medicine, writing, astronomy,  philosophy even warriors like Boadicia,  the many women  throughout history who  broke down barriers,  opened doors, knocked down walls,  smashed glass ceilings, were  suffragettes,  jailed,  murdered, midwives burnt at the stake for their feminine ways. The journey of women is for all of us.

I would like it to be a book known  for reclaiming  women’s history. I’m hoping you see it as an interesting gift for your daughters,  and our granddaughters to know some of the struggles of women in the past.  There is a saying “we need to know our past to inform our  present,  to live vibrantly into the future.  And books like The Dinner Party  and many others today can help with this.   

Just a few notes about the exhibition which my poetry brings to life . . .It is a very formidable exhibition. It was 5 years in the making (1974 -1979) and the product of a volunteer labour of more than 400 women, and is a testament to the power of feminist vision and artistic collaboration.

As you see here  it is a triangular banquet table each side of 15 metres  has place settings for 39 women  ….  women down the ages of the 3,000 years of Western History.  13 women  from Mythical and Biblical times 13 women  from the 1st millennia  and 13 from the 2nd millennia   and below there are 999 triangular tiles  with the names of women who stood up in their time. If i was younger I would now be writing stories of strong women of  this 3rd millennia  but I do not feel the same imperative as today many women are writing from First nation women  many ethic groups of women and our work is no longer an anonymous story.    It is  ongoing . Hopefully these stories and poetry of women will continue to be told. 

Imagine getting off the lift on the fourth floor into an 8,300 square feet space. One walks  past  six woven tapestries, hang in procession and is led into a sacred, solemn encounter with the female form. They say it takes your breath away and is beyond words.  The purpose-built gallery commands a certain hushed reverence; its triangular, feminine form is echoed on the ceiling, the entrance, and in the delicate casts of shadow and light.  

Each woman commemorated at the table is designated a place setting. A china-painted plate with a signature motif based on butterfly, flower and vulva forms is placed on an embroidered runner, with their name and icons of their personal and historical story.  A gold ceramic chalice and utensils, a napkin with an embroidered edge. The textile,  the craft, needlework and ceramics  acknowledge the long and interwoven history of women’s accomplishments and success in restoring women’s heritage to our culture.  The place setting are just close-up of a few to show you the detail

Judith, from the bible. 
Sappho,  the poet who wrote the first love poetry in a time when only wars and heroic journeys were versed like The Illiad, The Odyssey. 
Susan B Anthony  who said women would not be taken seriously till they had the right to vote and she gave her life to it and sadly died before it came to fruition.  

But writing my poetry I liked to imagine arriving at a dinner party, the buzz of women from all over the western world and all down the ages, colourful fashions, cultures, languages and imagine the sizzle and aromas of foods and the swapping of recipes, ideas, hints and stories. Just think of the after-parties as each spreads the word to celebrate unsung women back in their places right up till now, for women still  today are having to put themselves on the line, call out treatment and celebrate their steps forward as they claim women’s rights as human rights.

like Aspasia,  a philosopher as clever as Aritotle and Plato but her salons of Greek women were denigrated as brothels, 
like Anne Hutchinson expelled  into the wilderness from the early church in Puritans times of early America, pregnant left to die because she insisted women have a voice at Church 
like Sacajawea who was captured to help Lewis &Clark open up americas west , without her they would’ve died and she was unpaid and ignored until the past few years of  research and recognition, 
like Hypatia  a neoplatonist scientist murdered  because the church felt threatened by her intellect,  
and Petronilla first Irish woman to be burned at the stake because she helped women with herbs in labour. 
and Christine de Pizan  a writer who was silenced , because  she was a dangerous woman  when she claimed   ‘The same race as men are women. It is a women’s  world too”
Susan B Anthony who fought all her life to get a vote for women  and died before it was realised,  

Be honoured to be included, and be humble that we are here  today , together, free, for we stand on the shoulders on those who have gone before.  Pause to remember  your mothers  – you might never fully know her struggles and your grandmothers as their lives were hard if they wanted to speak up, desire to  study, want freedoms, want property right to their children from their husband and  think of your great, great grandmother many then were illiterate    We are here now because of these woman.

In this  next slide you can see a close up of the tiles representing 999 other women down the path of history who worked in their time of history and their individual fields o be free

Margaret Sanger who was one  of the earliest warriors for the right to birth control for women saving “every woman can decide for themselves ‘ but what vigilance women still need for the fight for the right over her own body never ends  

Natalie Barney died 1876 -1972 “Destiny made us women at a time when the law of men is the only law that is recognised   

Judy Chicago’s wrote in 1978 words that still stun with its relevance today:

“Women have always made a significant contribution to the development of human civilisation, but have been  consistently ignored, denied, or trivialised.” 

Place setting of Artemisia  she once said “ I have the spirit go Caesar and the soul of a woman”

1.The needle work is exquisite. The illuminated letter “A” on Gentileschi’s runner is comprised of an artist’s paintbrush and palette, representing her life as an artist.

The plate is surrounded by rich and luscious velvet fabric, modelled on the costumes of Gentileschi’s female subjects. Chicago explains that this fabric nearly engulfs the plate, representing the safe, protective environment she came from.

Underneath the velvet there is fabric decorated in a repeating Baroque-style pomegranate motif, indicative of the time period in which Gentileschi painted. 

2. ceramics

The butterfly image of Gentileschi’s plate demonstrates  the dramatic play of light and dark  of the art periodThe “twisting and turning form” on the plate serves also to represent the “extraordinary efforts required of any women of [Gentileschi’s] time who desired to become an artist”.

And each one of the place setting is so historically detailed.

Now,  today,  this book is a poetic response to the journey of women. I like to think of each oneat the table,  just like us here gathering together, leaning into the conversation, nodding their affirmation as they celebrate their stories, their struggles and triumphs, and the moment of togetherness.   which we work to bring here now with us together . I like to think of The Dinner Party as a worthy read. To know of these 39 women and to realise the thousands of others from all our cultures.

I hope I encourage you to read it . . You can open it anywhere and read a poem about a woman who once lived and believed by her actions one day women will do much for each other and for the world. 

her. 

To me it is a precious book.  And it is only a window into a wider world of Restoring Women to History but an important window.

One last quote which is not aimed at us as we are privileged women but to so many women in Australia suffering DV and poverty

 women all around the world  in fear of war, slavery, hunger.  A quote from Arundhati Roy

Another world is not only possible, she is on her way. On a quiet day I can hear her breathing.

I feel this puts the responsibility onto us gifted women to continue the brave work at all times to make this happen .

And then thanks to my friend Pip Griffin who helped me unwind and celebrate by sharing a wonderful pavlova  and Champagne down by the harbour, relaxing watching the ferries come and go and listening to a Chilean musicain play a very melodic harmonising  hand drum .

The Dark Emu Story: Another chapter in my story with Bruce Pascoe & Dark Emu

   

 

Allan Clarke’s The Dark Emu Story, produced by Blackfella Films
(First Australians, Redfern Now), delves deep into the controversy,
enlightens our understanding of Australian history and provides a platform
for First Nations peoples to share their story.

 

 The DARK EMU Story is a phenomenon.
The book,  Dark Emu by Bruce Pascoe has sold more than a quarter of a million copies,
received multiple awards and is one of the best-selling books of its kind.

A thought provoking, revelatory and inspiring documentary

challenges Australia to rethink its history and ignites a raging debate.
The 2014 best-selling book makes explosive claims that First Nations people
were not only hunters and gatherers but also farmers who were part of a complex
economic system.

Inspired by the journals of British explorers, Pascoe prosecutes
the contentious argument that First Nations people settled in villages,

devised extraordinary methods of aquaculture and astronomy

and were the world’s first bakers. The author’s compelling narrative

smashes the orthodoxy and turns the view of ‘traditional’ Aboriginal life

on its head.
But Dark Emu ignited a fierce debate, sparking searing criticism.

Academics and conservative commentators lined up to scorn Pascoe’s work

and question the knowledge of the First Australians. Amidst the storm,

a public war of words then swirled over the Aboriginality

and identity of Pascoe himself. One review wrote:

As questions arose over the merits of the contents of the book,
old questions re-surfaced about the authenticity of the author Bruce Pascoe.
In this feature documentary, we will delve into this search for identity,
and in so doing spark yet more conversations about where we might be heading
as a nation. The documentary will also be a platform for First Nations people
to tell their own stories about their deep past. How new discoveries
are shedding light on who their ancestors were and how they survived
and prospered for at least 65,000 years on the most arid continent
on earth.

 

Besides being at the movie and participating in the Annual Film Festival,

I  enjoyed being in the Stste Theatre taken in by the wonderful restoration.

I think it holds about 2.000 people and it was great to see the many hundreds of people,

many young, enjoying the last weekend of the Sydney Film Festival.

Allan Clarke’s The Dark Emu Story, produced by Blackfella Films
(First Australians, Redfern Now), delves deep into the controversy,
enlightens our understanding of Australian history and provides a platform
for First Nations peoples to share their story.

Thanks to my friend Pip Griffin for encouraging me to get into the city and met her for the movie.

A very proactive  afternoon with Pip on poetry beforehand.

 

 

Some of the wonderful designs in the State Theatre. It was an experience to just enter the theatre.

   

And a standing ovation for Bruce Pascoe

 

Some of my special poems Series No. 1 and No 2 by Colleen Keating

I am sharing some of the poems I like to read over and over.

When I am Among the Trees

When I am among the trees,
especially the willows and the honey locust,
equally the beech, the oaks and the pines,
they give off such hints of gladness.
I would almost say that they save me, and daily.

I am so distant from the hope of myself,
in which I have goodness, and discernment,
and never hurry through the world
but walk slowly, and bow often.

Around me the trees stir in their leaves
and call out, “Stay awhile.”
The light flows from their branches.

And they call again, “It’s simple,” they say,
“and you too have come
into the world to do this, to go easy, to be filled
with light, and to shine.”

by Mary Oliver

 

Some of my favourite poetry No 2.

Water Flows

Water does not resist. Water flows.
When you plunge your hand into it, all you feel is a caress.
Water is not a solid wall, it will not stop you.
But water always goes where it wants to go,
and nothing in the end can stand against it.
Water is patient. Dripping water wears away a stone.
Remember that, my child. Remember you are half water.
If you can’t go through an obstacle, go around it. Water does.

by Margaret Atwood

Fourth Australian Haiku Anthology edited by Lyn Reeves

 

Exciting to have some of my haiku accepted for the Fourth Australian Haiku Anthology. Thank you to Andrew Hede who encouraged me to submit. It was worthwhile.

Fourth Australian Haiku Anthology

edited Lyn Reeves

Colleen Keating

 

on my doorstop
a single rose softens
lockdown

 

birds and frogs
harmonise at dawn
Kakadu billabong

 

spring backburn
smells of last summer
waft on the wind                                                       

 

 

_____________________________________________________________

Colleen Keating

‘on my doorstop’ Windfall: Australian Haiku 10, 2022

‘birds and frogs’ Echidna Tracks: Australian Haiku 2, 2018/19                                   

Eucalypt: A Tanka Journal Issue 34, 2023 edited by Julie Thorndyke

 

 

It is always a joy to receive the new edition of Eucalypt and especially joyful when one of my tanka is included amongst the many startling and succinct tanka . This month is no exception  receiving Issue 34 2023.  Lovingly presented
and including tanka that takes days to ponder and absorb .

 

pink glow

behind silver grey clouds

waiting

medical reports

still to be explained

Colleen Keating

 

 

 

 

 

 

t

Blue Heron Review, Very proud to have a haibun published in the latest journal

Blue Heron Review

BHR16 Cover Image Edit2

(Cover artist credit: Thomas A Thomas)

Welcome to our BHR 16 Spring 2023 issue of Blue Heron Review! We hope you enjoy this themed selection of poems — Sanctuaries & Places of Peace. To read the full selection of poems and view the beautiful, fine art photography included, please go to the BHR 16 page of our website. Take your time, allow yourself to leisurely sip and savor this issue. These poems will surround you with the energy of peaceful afternoons in the forest, time spent with loved ones, and the deep well of calm that exists within. Breathe, read, reflect, repeat. Thank you for joining us for this very special issue!

CONTRIBUTORS:

Poets:
M J Iuppa * John Davis * James Crews * Mary Alice Williams * Michael S Glaser * Kai Coggin * Javi Maria Cain * John M Bellinger * Tad Phippen Wente * Gloria Heffernan * B L Bruce * Beate Sigriddaughter * Jo Taylor * Patricia Nelson * Lisa Romano Licht * Andrea Potos * Kristen Baum DeBeasi * Abha Das Sarma * j lewis * Elizabeth McCarthy * Angela Hoffman * Jeannie E Roberts * Jenna Wysong Filbrun * Kathie Giorgio * Jennifer Dodge * Susan Glassmeyer * Mary Anna Scenga Kruch * Steve Bucher * Ginny Lowe Connors * Kathleen Deyer Bolduc * Helen Bournas-Ney * Penny Harter * Chrissy Stegman * Colleen Keating * Daniel Lanzdorf * Gwyneth Wynn-Davies * Ronnie Hess * Lynne Burnett * Carol Alena Aronoff * Diana Raab * Cheryl Byler Keeler * Patricia Carney * Jan Chronister * Joyce Ritchie * Joan Leotta * Michael Minassian

Artists:
Thomas A Thomas (cover artist) * j lewis (featured artist) * Fiona Capuano * Michael Jeske *

Editor’s Note:

It is with great sadness that I must share the news that we have lost a dear member of our Blue Heron Review family. Professor and poet M J Iuppa passed away last month. M J was a regular contributor to Blue Heron, and she was our featured poet for the month of March 2015. She will be greatly missed by the writing community. In honor of M J’s memory, her poem, “Drink This In,” appears as the first poem in our issue.

Send goodness and light out into our world. This will be our saving grace for tomorrow.

Peace,
Cristina M. R. Norcross, Founding Editor
Blue Heron Review

COLLEEN KEATING

winter days

On the mud-flats near an afternoons silver lake, i stop to watch a red dragon kite
soar with dips and dives on whistling air.

a child again
neck crinked back
carefree

A fisherman and solitary figure on the dunes watch this bird-like thing swirl and whirl.
Purple ribbon tails flutter, tangerine feathers swell, puffed up with air, tugging the string
the woman holds. I hum the Lark Ascending. I ask the woman why she comes each afternoon.
She replies, because looking up makes me feel so much better.

one feather
holds the worrying day
lightly

A Sydney-based, Australian, award-winning poet, Colleen Keating has four poetry collections and two verse novels published. Colleen belongs to several poetry critique groups – U3A poetry, Pennant Hills, Poetry at Writing NSW, and a Haiku group (White Pebbles). Her verse novel, Hildegard of Bingen: A Poetic Journey was double winner for a poetry book and for a non-fiction book in the Society of Women Book Awards in NSW State Library. Her new verse novel, Olive Muriel Pink: her radical and idealistic life, was launched in October 2022 in the Olive Pink Botanic Garden, Mparntwe (Alice Springs) and is being highly acclaimed.

” I do not wish women to have power over men but over themselves.” from The Dinner party by Colleen Keating

To purchase The Dinner Party
   
One of the passionate visionary women on whose shoulders we stand today.
Learn more about Mary Wollstoncraft 1759 – 1797
who died during the birth of her daughter Mary Shelley (author of Frankenstein)
Her voice a luminous candle
in a darkness of patriarchy
where laws claimed women
the property of men
marriage their tenuous security.
This spirited her struggle
her weapon always her pen
Mary wrote: ” I do not wish women to have power over men but over themselves.”
It took 200 years for Mary to be reclaimed  with a controversial statue  erected  in her honour.
A Sculpture for Mary Wollstonecraft is a public sculpture commemorating
the 18th-century feminist writer and advocate Mary Wollstonecraft in
Newington Green, London.

The Dinner Party by Colleen Keating is available now from Ginninderra Press

ginninderrapress.com.au /books  and scroll down to The Dinner Party

  A POETIC CELEBRATION 

      OF WOMEN IN HISTORY

                        WHO DEFIED SILENCE

A poetic CELEBRATION of THE PASSION AND SPIRIT OF WOMEN 

    ON WHOSE SHOULDERS WE STAND

This  DINNER PARTY IS NOT JUST A GATHERING, A CELEBRATION

IT IS REWRITING HISORY. 

Recorded history abandoned women and they abandoned history leaving it motherless and unbothered

This is part of the long journey to reclaim the feminine in our worldly story. Then and only then might we turn this 21st  century around 

‘It was the prevailing attitude in the 1960s that women had no history. There were no women’s studies, nothing.’ – Judy Chicago, creator of the iconic art installation The Dinner Party, 2017
The Dinner Party by the talented poet Colleen Keating brings to light, through beautiful lyrical poetry, what for centuries has been ignored: the power and strength of women. Very little has been made known about the lives of influential women of the past, as women’s lived experience has been suppressed, even erased from history. In this collection, the poet resuscitates the experience of women from prehistory to women’s twentieth-century revolution. Her poetry traces the lives of women who demonstrated their influence, in every field including philosophy, medicine, writing, art, astronomy, suffragists and justice warriors who fought for recognition. Women who gave their lives, suffered, broke barriers, knocked down walls, smashed glass ceilings, pried open doors, who defied patriarchy in some way for all of us. Still today as women are written into history, the struggle for our reckoning towards equality and respect continues. A must-read book that honours women; women who would not be silent.’
Dr Beatriz Copello
‘With impeccable research and deep empathy, Colleen Keating continues her powerful poetic contribution to feminist literature with the celebration of thirty-nine of the more than a thousand women forgotten, marginalised or written out of Western history. A remarkable and beautifully imagined work.’  – Pip Griffin
978 1 76109 530 6, 144pp

Versions

Paperback

9781761095306
$27.50

Vale John Egan poet, mentor and friend by Colleen Keating

9th July 1949 – 14th April 2023  Vale

Brenda Eldridge (Ginninderra Press)  wrote of John:

We were deeply shocked and saddened to hear the news that John Egan died on Friday 14 April 2023.

John was a stalwart of the Sydney poetry scene. He was a member of several poetry groups and during the Covid lockdowns he felt keenly the loss of being able to meet with fellow poets. He enjoyed their company and was inspired by their energy and enthusiasm.

He was a frequent contributor to The Mozzie, tamba, The Crow and other poetry journals.

John worked hard encouraging other poets to write and to get published. This is how we knew him. He came to Ginninderra Press just over ten years ago and became one of our most prolific poets.

Stephen published seven full-length poetry collections by John, the last of which (Drifting from the Bright) has not yet been officially released. As editor of our two chapbook series – Pocket Poets and Picaro Poets – I worked with John a great deal. I was astonished when I looked up our records and found that we had published over eighty chapbooks by him!

Included in that incredible body of work are ten chapbook anthologies he edited for the groups Poetry Alive and Harbourside Poets. He collaborated with other poets in seven chapbook collections – including three with me. I am proud to say that John chose twenty-five of my paintings or photographs for the covers of his books. That was something I hadn’t even dreamed of and I am still somewhat bedazzled by his support of my work.

Supporting others was one of the most admirable things about John. From those small joint anthologies, several poets have gone on to have chapbooks and full-length collections of their own. All it takes sometimes is someone to believe in you.

Through the hundreds of emails we exchanged over the years, John became a dear friend and confidant. All our lives are the richer for having known him and he will be sorely missed.

Thank you Brenda  for these words in honour of John.

My last chat with John  was on our Wednesday Poetry evening, the week before he got the flu. He was excited as he shuffled his pieces of paper from the afternoon group saying  “You know I have got 3 poems out of this afternoon.”   Three poems !  Isn’t that amazing a week before you die, you are excited about more poetry flowing.  I can say happily John died ‘with his boots on’ as the saying goes . Sadly I wrote on Saturday to tell him how he was missed at Decima’s Launch and to tell him how proud I was being on the same page of the Ginninderra Web site. with my new book.  Sadly he never read that email. 

Light

The lighthouse throws warning beams,
sweeps the sea with its flashes
revolving like a constant planet,
pulses from a distant star
in galaxies of shipwreck dark.

Here is danger and death.
Keep well clear, keep safely on
the rolling sea where deep water
smooths your keel and you can flow
in the gentle arms of ocean.

I’m built on rock, I’m built
on the past. I do not move
as your ship moves in sheer innocence
that the sea will always protect
and nourish you. It deceives us all.

I’m here. You can rely on me.
I’ll guide you away
from ship-tearing reefs and rocks,
or clench my fingers of light
and gather you between

headlands, into river mouths,
to safe harbour here, the comfort
of quiet water that laps your hull
like a lullaby. I promise you, mariner,
captain, have faith, for you, I am the light.