Blue Heron Review, Very proud to have a haibun published in the latest journal

Blue Heron Review

BHR16 Cover Image Edit2

(Cover artist credit: Thomas A Thomas)

Welcome to our BHR 16 Spring 2023 issue of Blue Heron Review! We hope you enjoy this themed selection of poems — Sanctuaries & Places of Peace. To read the full selection of poems and view the beautiful, fine art photography included, please go to the BHR 16 page of our website. Take your time, allow yourself to leisurely sip and savor this issue. These poems will surround you with the energy of peaceful afternoons in the forest, time spent with loved ones, and the deep well of calm that exists within. Breathe, read, reflect, repeat. Thank you for joining us for this very special issue!

CONTRIBUTORS:

Poets:
M J Iuppa * John Davis * James Crews * Mary Alice Williams * Michael S Glaser * Kai Coggin * Javi Maria Cain * John M Bellinger * Tad Phippen Wente * Gloria Heffernan * B L Bruce * Beate Sigriddaughter * Jo Taylor * Patricia Nelson * Lisa Romano Licht * Andrea Potos * Kristen Baum DeBeasi * Abha Das Sarma * j lewis * Elizabeth McCarthy * Angela Hoffman * Jeannie E Roberts * Jenna Wysong Filbrun * Kathie Giorgio * Jennifer Dodge * Susan Glassmeyer * Mary Anna Scenga Kruch * Steve Bucher * Ginny Lowe Connors * Kathleen Deyer Bolduc * Helen Bournas-Ney * Penny Harter * Chrissy Stegman * Colleen Keating * Daniel Lanzdorf * Gwyneth Wynn-Davies * Ronnie Hess * Lynne Burnett * Carol Alena Aronoff * Diana Raab * Cheryl Byler Keeler * Patricia Carney * Jan Chronister * Joyce Ritchie * Joan Leotta * Michael Minassian

Artists:
Thomas A Thomas (cover artist) * j lewis (featured artist) * Fiona Capuano * Michael Jeske *

Editor’s Note:

It is with great sadness that I must share the news that we have lost a dear member of our Blue Heron Review family. Professor and poet M J Iuppa passed away last month. M J was a regular contributor to Blue Heron, and she was our featured poet for the month of March 2015. She will be greatly missed by the writing community. In honor of M J’s memory, her poem, “Drink This In,” appears as the first poem in our issue.

Send goodness and light out into our world. This will be our saving grace for tomorrow.

Peace,
Cristina M. R. Norcross, Founding Editor
Blue Heron Review

COLLEEN KEATING

winter days

On the mud-flats near an afternoons silver lake, i stop to watch a red dragon kite
soar with dips and dives on whistling air.

a child again
neck crinked back
carefree

A fisherman and solitary figure on the dunes watch this bird-like thing swirl and whirl.
Purple ribbon tails flutter, tangerine feathers swell, puffed up with air, tugging the string
the woman holds. I hum the Lark Ascending. I ask the woman why she comes each afternoon.
She replies, because looking up makes me feel so much better.

one feather
holds the worrying day
lightly

A Sydney-based, Australian, award-winning poet, Colleen Keating has four poetry collections and two verse novels published. Colleen belongs to several poetry critique groups – U3A poetry, Pennant Hills, Poetry at Writing NSW, and a Haiku group (White Pebbles). Her verse novel, Hildegard of Bingen: A Poetic Journey was double winner for a poetry book and for a non-fiction book in the Society of Women Book Awards in NSW State Library. Her new verse novel, Olive Muriel Pink: her radical and idealistic life, was launched in October 2022 in the Olive Pink Botanic Garden, Mparntwe (Alice Springs) and is being highly acclaimed.

White Pebbles Haiku Group Autumn Meeting

White Pebbles Haiku Group Autumn Meeting

March 13th 2021

On our arrival for catch-up and coffee we were slightly daunted by a brief downpour. This obligingly ceased precisely at our regular ginko set-off time of 10:30. The glossy leaves of cloud-shaped bushes, neatly trimmed, glistened with small raindrops; and white crocuses lined one edge of the pathway. Jotting and silence prevailed, apart from waterfall tumble and the voice of a very young child telling her mother how much she loved the word ‘igneous’,  her favourite type of rock.

left to right: Colleen Keating, Gail Hennessy, Beverley George, Kent Robinson, Marilyn Humbert, Gwen Bitti
Photograph courtesy of Deb Robinson

 

Our guideline for the ginko was to write two haiku, or ideas for them, one based on something we saw that intrigued us with its colour and a second based on sound. Then to draft a haibun, or possibilities for one.

Ginko concluded, we met up at the round table, delighted to be together in the same space. We shared recently published haiku and the two new ones we had penned on colour and sound. Then it was time to explore the haibun genre.

Marilyn Humbert, who had provided haibun guidelines by email well prior to our meeting, and who was the recent guest editor of the online publication Drifting Sands Haibun – a journal of Haibun and Tanka Prose” Issue 7 2021, led the workshop.  Marilyn guided and encouraged the sharing of haibun contributed by those present, and one sent by a valued member unable to attend on the day.  Appreciative comments have arrived since from everyone!

At lunch we enjoyed the additional company of three spouses before exploring the Regional Gallery’s exhibitions of stunning photographs of Antarctica, and, by contrast, an intriguing and diverse display of birds’ nests.

White Pebbles’ members uncomplainingly drive from beyond the Central Coast to be present (e.g. Bathurst, Newcastle and Sydney) and are rewarded by the enriching experience the venue offers: a well-maintained and authentic Japanese garden; an expertly curated art gallery, a café with indoor and outdoor seating; and an imaginatively stocked gift shop run by helpful volunteers.  So whatever the weather it is a satisfying venue at which to share haiku and good company. Smiles all round.

Beverley George
Convenor
White Pebbles Haiku Group